To the Intersession 2009 edition of Ethics & Issues In Mass Media: This is the first of two posts I’ll ask you to comment on during this week. Remember that blogs are conversations. Read the post AND your classmates’ comments before you chime in. And don’t just drop by once and leave. No one likes a hit-and-run commenter!
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As a young account exec at a large Detroit PR firm, I served as editor of several client newsletters. One story I developed in 1980 was a photo essay capturing the midnight shift craziness at the loading docks of the Stroh Brewery. We called it “Stroh’s Rocks at the Docks.” I know, no one drinks Stroh’s anymore, but that’s not my fault!

Do you think someone should have "photoshopped" those power lines from the sky? Just sayin'.
For 2 hours, my photographer, Gerome — under my direction — shot stellar pictures of forklift trucks (24 in all) loaded with beer pallets crisscrossing the mammoth warehouse. Gerome used time exposures to blur movement and fisheye lenses to create cool effects. The photos were downright artistic, and the client was sure to love them — except for one thing.
At least half the workers on that midnight shift weren’t wearing their hardhats, which put them out of compliance with OSHA regulations. The pictures would have to be reshot – and at my agency’s expense. I knew the OSHA regs, and I blew it.
Make that mistake today and the remedy is so easy. Just ask your designer to “PhotoShop” protective helmets to the heads of the lawbreakers. An hour later, your subjects are miraculously “in compliance” with workplace safety laws. It’s magic.
Another reason to love technology? Not if your concern is ethics.
My journalist colleagues at Kent State would call such photo alteration patently unethical. To manipulate a news photograph in any substantial way is to alter truth, something a news professionals will not abide. If you know anything about the SPJ Code of Ethics, you know that a journalist’s duty is to the truth, and journalists are especially sticky about photographic images.
Should the same rules apply to PR and advertising? Some say they should. After all, photo manipulation alters reality, so it has the potential to deceive readers. How can that be OK for a PR professional but not for a news person?
Had Photoshop been an option in 1980, I’d have ordered alterations to my “Rocks at the Dock” photo series in a heartbeat. Using the pictures as they were wasn’t an option; reshooting was costly. And the result would have been pretty much the same, right? Either way, the forklift drivers would be wearing protective headgear — keeping my client out of trouble with OSHA.
PR and advertising professionals manipulate photos routinely. Most of the pictures we use aren’t part of mainstream news coverage, but part of the ads, publications and websites. Do PR and advertising have different standards of “truth”? Or do readers and viewers assume that PR and ad people always “groom” the truth?

The Diet Coke can was removed from the shot using digital alteration -- a relatively new technology in 1989.
A classic case from the textbooks: Back in 1989, amateur photographer Ron Olshwanger won the Pulitzer Prize for his shot of a St. Louis firefighter attempting to save a 2-year-old child. Ron and his wife came to the offices of the St. Louis Post Dispatch to celebrate the honor, and Ron posed alongside a framed copy of his now-famous photo. The shot of Ron would run in the paper the following day. (That’s his wife in the background.)
When the photo arrived at the dark room for processing, the photographer cringed, He’d neglected to move a can of Diet Coke from the table before he took the shot – so this commercial image was cluttering the foreground of the photo. Olshwanger had left the building, so a re-shoot wasn’t possible. But thanks to a quick fix by the paper’s director of photo technology, no one ever saw the offensive soda can.
The case of the disappearing Diet Coke became one of the first photo alteration debates of the digital age. The technician who erased the can changed the literal “reality” of the image. But did he really alter the “truth”? Had he chosen, instead, to crop the can from the picture, no criticism would have come his way, since cropping has long been standard practice (even though it, too, alters reality).
I’ve been using this case in my Ethics classes for 17 years. And every time we discuss it, the journalists see it as a violation of ethics. But other students, PR and advertising majors mostly, wonder what the fuss is about. After all, the story isn’t about a Diet Coke can, and inclusion of the can was the photographer’s oversight – an oversight his editor was able to fix.
Yes, the photographer could have moved the can aside before he shot the photo. But he didn’t. So a darkroom technician moved it a few hours later. (Photo and case discussion from an older edition of “Media Ethics: Cases and Moral Reasoning,” by Christians, et. al.)
Should the same rules that apply to news also apply to advertising, marketing and PR? Should photo manipulation be off limits to ALL communicators, or is it only important to the “news” people – you know – the real purveyors of truth?
If “some” photo manipulation is OK (adjusting tone and color, for example), where does one draw the line? How much manipulation is too much?
Some things worth discussing:
- When it comes to manipulating news photos, how much is too much?
- Given that so many PR messages are presented in a “news” context, sould PR professionals be held to the same standards as journalists?
- Photo manipulation in advertising is standard procedure, and until it completely distorts reality, no one seems to care. Why is advertising not held to a higher standard of truth?
Feel free to jump in anytime!
Associated readings:
A basic rule: Newspaper photos must tell the truth (The Toledo Blade)
A photojournalistic confession (by Kenneth Irby at Poynter Online)
Photo manipulation + false advertising (by Maggie James at TechLife Post)